Interview with Betye Saar

Carla

№ 25,250

Some seven years ago, during a spontaneous visit to the Museum of Contemporary Art (MOCA), I spent several silent minutes watching Betye Saar’s video work Eyeball (1972)—a rare and experimental format for her—on a loop. Chaotically edited in quick cuts, the montage film features a menagerie of eyes...

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Interview with Betye Saar

Carla

№ 25,250

Some seven years ago, during a spontaneous visit to the Museum of Contemporary Art (MOCA), I spent several silent minutes watching Betye Saar’s video work Eyeball (1972)—a rare and experimental format for her—on a loop. Chaotically edited in quick cuts, the montage film features a menagerie of eyes...

Explore contemporaryartreview.la

Palette

#604338#9b6e52#c29f84#676364